The first thing I thought when I first saw this last night was “Oh, the balls on this guy!” The introduction is a sample of Johnny himself referring to someone (in this instance meant to be Everlast) as “…one of the greatest entertainers I’ve ever seen”. As the song continues and the mix of acoustic and electric guitars, organ, sampled drums and an old Cypress Hill hook started to make sense that changed quickly to “This actually isn’t half bad.” Has Erik Schrody successfully pulled off a Johnny Cash cover using a high-pitched squeal and DJ Muggs from Cypress Hill itself? You be the judge.
[youtube]https://www.youtube.com/watch?v=JW4eAHsaq-0[/youtube]
“I never saw anything like it…” – Johnny Cash
The video doesn’t get any less cheeky as it superimposes archival footage of Cash performing with Schrody, the two even exchanging winks and glances. Think the video for Weezer’s “Buddy Holly” minus the Fonz. All the members of Everlast‘s band smile, wink and dance along and the mood is meant to imply mutual respect between Johnny and Erik. Does he consider himself Cash’s heir-apparent. I doubt it, and you have to take the spectacle with the good nature it was intended – but still. The balls on this guy!
[youtube]https://www.youtube.com/watch?v=OYZ40p8H2Kk[/youtube]
Schrody’s the man with the master plan.
Covering Cash is a risky business. It’s akin to belching in church to many music fans. Schrody has never been timid or self conscious though and I’m not entirely shocked that he went for this. His re-inventions – from West Coast GQ rapper rolling with Ice-T’s syndicate posse to Hell’s Kitchen Irish Hoodlum to country-rock troubador – have amazed me every time. Not because they’ve been so drastic, but because they’ve been so incredibly successful.
“Jump Around” made Everlast, DJ Lethal and Danny Boy very rich men when it dropped in 1992 and their follow up House of Pain album sold quite a few copies as well. The third one, not so much. When he re-appeared 3 years later in 1999 with Whitey Ford Sings the Blues no one had any idea that “What It’s Like” would become a mega-hit going platinum and winning him several Grammys that year. Not to mention his contribution to Santana’s Supernatural album, “Put Your Lights On” which helped Carlos sell about a bazillion copies that same year.
[youtube]https://www.youtube.com/watch?v=ffCz1uCn2-Y[/youtube]
If you’ve never seen this before – you’ll be speechless.
So is “Folsom Prison Blues” a clever cover or a disrespectful piece of crap? I’d love to hear everyone’s opinions as I know there are likely to be many when this video gets more and more airplay and the album “Love, War and the Ghost of Whitey Ford” is released later this month. Me? I like it and am looking forward to blaring it in my car later this afternoon. That will be the true test. I think he can take it, so let Everlast have it in the comments below.