“In a sense, the beginning of Lush was as inevitable as its ending was not.”
This song is senior year at Concord-Carlisle for me. So many memories surrounding it. Lush opened for Jane’s Addiction that year at the Wallace Civic Center in Fitchburg. We rented a bus, filled it with our best buddies (and underclassmen girls), before having one of the best times of my life. The whole shebang kicked off at PJ’s with kegs. We filled 2 litre milk jugs with beer and moved the bender to the bus. The show was amazing, and in between moshing with Mike Duffy – and watching Tombeno get thrown out and sneak back in 3 times – Lush rocked the rink with this awesome tune.
“When I sat down to listen to Ciao!, it had been at least seven years since I’d last listened to Lush, and probably five since I’d even thought of them. But by the end, I was digging out the old discs again– not out of an obligation to research and refresh, but because I wanted to relive and remember.” – Pitchfork
Lush has long since gone the way of the do-do (the drummer even killed himself), but they released 3 solid albums in the 90’s and I have every one of them on my iPod. They’re considered to be part of the “shoegazing” genre – Shoegazing is characterised by the use of distortion and the fuzzbox, droning riffs and a Phil Spector-esque wall of sound from the noisy guitars. You’ll understand the classification when you hear ‘De-Luxe’, which was their breakthrough hit in America. ‘Ladykillers’ fared better a few years later, but it isn’t anywhere near as cool as this etherial little ditty.
This song also reminds me of driving to a party in Carlisle at Sarah’s house with Triconi in my ’84 BMW 318. We videotaped the party, and you can see Doug and I singing along to De-Luxe as we navigate the windy dark roads. We still sing that song to eachother, and it’s admittedly extremely gay to be doing so. Enjoy the song – it’s a great little timecapsule.
Taz Hamid
Imagine my delight as I had my first proper shufty of the year at The PyeMan’s magnificnet Blogg (been on holiday in Thailand for 3 weeks folks so that explains the neglect of this otherwise essential source of info for the Hamid Zeitgeist…) when I saw that 4AD post-Pixies Great White Hopes, LUSH came into the focus of the red hot laserbeam of impeccable taste that is Pye In The Face! It warmed the cockles of my retro-indie loving heart! Took me back to days as a black denim 501s, trenchcoat and suede brogue wearing grad student in the early 90s and the late late nights wallowing in Lush’s dreamy soundscapes from the ‘Scar’ mini-LP and their first 12″ EP featuring De-Luxe, Thoughtforms, etc. Shoegazing was indeed a much maligned sub-genre of a great time in underground Brit popular music. The pioneers were the peerless My Bloody Valentine and the groundbreaking dronesters-par-excellence Spacemen 3 but the torch was then manfully carried into pastures newer and poppier by Lush, Pale Saints, Chapterhouse, The Telescopes, Slowdive, Catherine Wheel and many many more. Some fell by the wayside, some enjoyed a modicum of success…ALL were interesting and worthy of both fiscal and emotional investment! These were heady times for guitar-driven bittersweet bedsitland indie-rock, and like Dave, my Pod still has a corner occupied by classic albums by the above plus the other subsequent bands who kept the dream alive like Spiritualized and Low. The great thing is Shoegazing has now morphed into ‘Newgazing’. Check out my favourite exponents of this artform for the enlightened, NYC’s very own Ambulance Ltd. Their debut album is magnificent in it’s own right but will have you clued-up indie-kids digging out your old Lush and MBV albums with a wave of nostalgia. Respect to you PyeMan…once again your cultural Barometer is giving all the right readings and the calibration is faultless! De-Luxe indeed…Taz, Frankfurt
Dave Pye
Souvlaki Space Station! Nuff said.